I don’t think Browne was out of his teens when he wrote songs like “My Opening Farewell,” Jamaica Say You Will,” “Doctor, My Eyes” and “These Days.” The last one isn’t on the album (actually, it’s just “Jackson Browne”), but he’d already penned it. Before he could grow a proper mustache Browne had already a) had an affair with German chanteuse Nico, who may have been the first to record “These Days”; and b) given voice to some very adult emotions in songs that have sturdily endured for more than 40 years.
I’d say that was a good excuse for a tribute album, wouldn’t you? The album works as a whole, from Bonnie Raitt with David Lindley reggae-ifying “Everywhere I Go” to Lucinda Williams making “The Pretender” into a poignant ballad. These songs have good bones.
Browne got a bit didactic for me later on, but he never turned out a bad song. Long may he wave over Laurel Canyon or wherever he is now. Here’s Browne performing songs from “Satura…,” no, from “Jackson Browne”:
This post is borrowed with permission from Mother Nature Network, where I’ve been writing regularly about the environmental side of the car industry and other cool topics for the past six years:
It’s easy for me to relate to Andy Revkin’s twin passions — music and the environment — because I have the same pair. I satisfy the musical itch by doing a radio show and hosting live bands, and recently had Andy on playing songs from his new folk album, “A Very Fine Line.”
Andrew Revkin (right) with Pete Seeger and Steve Stanne (center) in Beacon, N.Y., in 2010. (Photo courtesy David Rothenberg)
Most likely you know Revkin’s work from the New York Times, where he served as an environmental and science news reporter from 1995 to 2009, and as a popular blogger (Dot Earth) from 2007 to now. He’s one of the great interpreters of often-difficult peer-reviewed science, and the blog has continued now that he’s left the Times for a position teaching at Pace University in Westchester County, New York.
I asked Revkin why he left the Times when the environment beat was hot and his timely stories on climate change were often making the front page. “Through the mid-2000s,” he said, “I became increasingly aware of the limits of what I could do in journalism, and I saw that ways of communicating outside of journalism were hugely expanding. So I looked ahead and asked myself if I wanted to spend the next 25 years writing valid articles about important issues, and I decided I didn’t.”
Andy Revkin (left) with his brother Jim in their younger days.
Revkin went in and talked about his plans with then-Executive Editor Bill Keller (who’s now leaving the Times himself), but kept it fairly vague. It’s lucky he did, because a day later the Times announced a generous buyout offer he wouldn’t have gotten had he already resigned.
The continuing mission of the Dot Earth blog, Revkin said, is, “How do we head into [the likely world population of] 9 billion people by mid-century with the fewest regrets.” Rather than focusing simply on goals — an 80 percent reduction in greenhouse gas emissions by 2050, for instance — he’s identified traits we’ll need to survive as a species.
“Resilience is a good trait; it’s overused but very real,” he said. “It means, for instance, not having a rigid approach to risk management. Flexibility is also a good trait, and so is transparency — maintaining the ability to clarify what is happening.” He sums up his approach as “Bend, stretch, reach, teach, reveal, reflect, rejoice, repeat.”
It led to a re-evaluation. Revkin promised himself he would:
Write a hard-hitting print article about stroke care.
Start working out.
Stop taking red-eye flights (to save his neck and carotid arteries).
Get serious about the guitar he’d been playing since he was 17 and start playing scales.
Well, much of that fell by the wayside, and he didn’t stick with the scales, but he did get more serious about music. “I’ve been writing and performing since the early 1990s, and played guitar since I was a teenager, but never got rigorous about recording,” Revkin said. “The stroke was a wake-up call. I wanted to put something on the public record.”
And that led to the album “A Very Fine Line,” recorded near his home in Beacon, N.Y. As you may know, Beacon was also the long-term home of Pete Seeger, and the two were friends. They played together now and then, and Seeger even helped him with lyrics for “Arlington,” a song about the growing space problem at our national cemetery. “I used some of the suggestions, not all of them,” Revkin said.
Other musician friends helping out on the album include singer/songwriter Dar Williams (another neighbor), mandolin virtuoso Mike Marshall and multi-instrumentalist Bruce Molsky, probably the best old-time interpreter around.
Andy Revkin performs a private concert at the Mother Nature Network office in Atlanta.
Revkin describes reporting and music as “a natural dual track, given that journalism and ballads have an intertwined history.” Indeed they do, and being a trained reporter also helps you in something most musicians are clueless about — record promotion. Revkin was recently in Atlanta for a climate change forum, and he didn’t waste the opportunity. He visited the offices of the site I write for, Mother Nature Network, and stopped by a local radio station and performed “Breakneck Ridge” (a song about the Hudson Highlands, “from Breakneck Ridge to the Bear Mountain Bridge.”)
The song (which I played on WPKN on Thursday afternoon) references “a billion years of time and toil” that are “etched in these old hills,” and Revkin told me he’d looked it up, to make sure that the “billion years” was accurate. Once a journalist, always a journalist. Here’s “Breakneck Ridge” on video: